Old Orchard Beach, Maine 2017

Last summer while working on a project about Old Orchard Beach in Maine I came across this wonderful family, recent immigrants from Somalia, Africa. When I spotted them amongst the bathers I asked the father if I could take a family portrait. They were recent arrivals to the United States, probably through the process of political asylum. They stood out on the crowded beach, and it made me proud to live in a country where immigrants are welcome.
© David Katzenstein

50/50: Senegal



Sacred trees abound in Africa and I was fortunate to be able to pay a visit to a famous gigantic baobab in Touba’s Mbal neighborhood during my project documenting the annual Murid pilgrimage to this sacred city in central Senegal. During the pilgrimage Touba expands in all directions as the population grows to over four million people. It is said that Cheikh Ahmadou Bamba, the founder of the Murid Brotherhood, had prayed here, and pilgrims line up to enter the natural mosque. The woman proudly stands in the center of the large and ancient cavity framed by the knotty window. This was a moment worth traveling days for, a distillation of the spirit that abounds during these holy times.

Read more about the 50/50 project here

View Islam in Africa: Touba, Senegal here

View CBS New Sunday Morning piece on Times Square Project here

50/50: Argentina, Austria, Bhutan, Brazil, Bulgaria, Cameroon, Canada, Chile, China, Costa Rica, Cuba, Czech Republic, Dominican Republic, Ecuador, Egypt, El Salvador, England, France, Germany, Guatemala, Haiti, Hungary, India, Indonesia, Israel, Japan, Jordan, Kazakhstan, Mexico, Morocco, Nepal, Netherlands, Northern Ireland, Oman, Panama, Peru, Portugal,

Islam in Africa Project featured in Harvard Divinity Bulletin


Learn more about the Islam in Africa project here

Go to my website here

Article Published in CC: Magazine – July 2013

A Sacred Journey
Photographer David Katzenstein captures a Muslim pilgrimage in Senegal

It started with a leap of faith.

Photographer David Katzenstein met Cheikh Fara Gaye, a Sufi Muslim, at a New York City prayer-for-peace event in 2003. Sufism is the mystical tradition of Islam, and Gaye is a disciple of Mouridism, a Sufi sect centered in his native Senegal.

Katzenstein, who wanted to explore positive aspects of Islam in the post 9/11 environment, asked Gaye to accompany him on the Magal, the sect’s annual pilgrimage to the city of Touba.

“He said, ‘I’ll meet you in the airport in Dakar next year,’” Katzenstein told a Connecticut College audience in February.

A year later, Katzenstein was on a flight to the capital of Senegal, wondering if this man he hardly knew would remember his promise. “Then someone tapped me on the shoulder,” Katzenstein said. “He was on the plane with me.”

An exhibition of Katzenstein’s photos from their trip entitled “Islam in Africa: A Pilgrimage to Touba,” was mounted in Cummings Arts Center this spring alongside another Katzenstein exhibition called “World Views: Ritual and Celebration in Global Culture.”

For decades, as both a commercial and fine art photographer, Katzenstein has been drawn to capture daily life and communal rituals around the globe. He has documented Hindu ceremonies in rural India, Santeria rituals in Cuba, Zulu dancers in South Africa, Easter processions in Guatemala, Buddhist festivals in Bhutan, Islamic ceremonies in Egypt and Jewish worship in Israel.

With Gaye’s help, Katzenstein also has been documenting the large community of Senegalese immigrants who live in New York City, in a section of Harlem known as le Petit Sénégal.

Mouridism is a sect that emphasizes religious ritual, study of the Koran and the value of hard work. It was founded in Touba by Cheikh Amadou Bamba. The Magal commemorates Bamba’s exile by the French colonial government in 1895 and culminates at his burial site under Touba’s great mosque.

Katzenstein and Gaye, now close friends, gave a joint lecture at the College on Feb. 13.

“These people in Africa are looking at you, and you are looking at them,” Gaye said of Katzenstein’s photos. “This is the magic of art. It’s between the hearts of people, bringing them into one humanity.”

Katzenstein works in a “reportage” style of photography inspired by the French photographer Henri Cartier-Bresson. Using a wide-angle lens, he stays close to his subjects to avoid objectifying them. He does not crop or otherwise manipulate his images after he takes them.

“The challenge for me is to capture something in the world as a moment, and also to have it be artistically complete,” he says.

See more of David Katzenstein’s work at http://davidkatzenstein.com.

Connecticut College Magazine

50/50: Cameroon



The two weeks that I spent in Cameroon on assignment for AES were packed full of adventures both large and small. For three days of this trip I was fortunate to be a guest of the King of Bafut, a kingdom in the western part of the country. This photograph is taken from a series of images documenting traditional dancers performing in the courtyard of the royal palace. The king was seated on his throne directly behind me.

Read about the 50/50 project here

Go to my website here

50/50: Argentina, Austria, Bhutan, Brazil, Bulgaria, Cameroon

Check out the new online publication All My Jazz here

Exhibition Gallery Talk


Exhibition Gallery Talk

I gave a gallery talk at Connecticut College for my two exhibitions: Islam in Africa: A Pilgrimage to Touba, Senegal, and World Views: Ritual and Celebration in Global Culture

Islam in Africa: A Pilgrimage to Touba, Senegal


Exhibition Featured in Hartford Courant



Islam in Africa Lecture Poster


The exhibition Islam in Africa: A Pilgrimage to Touba, Senegal opens to the public tomorrow at Cummings Art Center, Connecticut College, New London. The lecture is scheduled for February 14 @ 4:30pm.